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The ABC's of
CCTV The following
"How To" guide is designed to help less experienced CCTV dealers
become accustomed to basic systems design. However, always remember, the
"Helpful and knowledgeable" staff at , Inc. is always just a toll
free call away! WHAT GOOD IS
IT? Advances in CCTV technology are turning video
surveillance into one of the most valuable loss prevention, safety/security
and management tools available today. Retailers use CCTV to monitor for
shoplifters and dishonest employees, compile recorded evidence against bogus
accident claims and monitor merchandising displays in stores that may be
hundreds of miles away. Manufacturers, governments, hospitals and universities
use CCTV to identify visitors and employees, monitor hazardous work areas,
thwart theft and ensure the security of their premises and parking facilities.
New opportunities for CCTV are growing as fast as the technology and security
environments are phenomenal. Security
Applications: Observe and record theft or violence by
overtly monitoring retail floor space, office buildings, building perimeters, warehouses, loading
docks, and parking garages. Monitor sensitive areas, where infrequent
activities, occur {i.e. confidential records, safes, ect.)..)..)..)..)..). Monitor point‑of‑sale exceptions
{cash register voids, over‑rings, ect.)..)..)..)..)..) to reduce cashier theft Observe and record shoplifting activities. "Walk a beat" by programming a
moving camera to pan, tilt, and zoom within a defined pattern. Perform covert surveillance Where legally
applicable). Integrate with access control systems to
provide video of persons entering and leaving the premises Complement asset tracking systems to provide
video when a tagged asset leaves the premises. Safety
Applications: ·
Allow operators to see into areas where the environment is hazardous to life
or health {i.e. hazardous materials, chemical toxins, ect.)..)..)..)..).). · Monitor potential accident areas. ·
Monitor residence halls, common areas, or high‑risk areas to ensure
safety of an educational institution's students and faculty. ·
Help reduce the severity of some incidents by the timely dispatch of security,
police, fire and emergency medical personnel. Management
Tool: ·
Train employees, check stock on store shelves and monitor retail sales floor
coverage, production lines, ect.)..)..)..)..).. ·
Demonstrate management's due diligence towards protecting employees, clients,
and visitors, and perhaps avert or minimize litigation and negative publicity. ·
Document video images on magnetic tape or optical hard discs to record events.
This information may be reviewed and later presented as evidence for
prosecution of criminals, or as a training tool. When integrated with access control, asset
tracking, fire systems and other life safety and security measures, CCTV's
"silent witness" provides an additional advantage: the ability to
see and review the impact of these systems on people and property.
LETS GET STARTED Many elements
must be considered when designing/installing a CCTV system. 1. 2. 3. 4. 5. 6. Scene and lighting The cameras The lens Video transmissions methods The monitor Peripheral equipment The Scene and Light The scene refers to the objects or area to be observed
and the total environment
in which they exist. A scene often contains different colors,
surfaces and materials that reflect varying levels of light. To select proper
equipment, it is necessary to determine the minimum lighting level (day or
night) that will arrive from the scene to the camera lens. The
"available" light will affect everything from picture clarity to
focus (see figure 1). A scene or target area can be illuminated by
natural or artificial light sources. Natural sources include the sun, the moon
and stars. Artificial sources include incandescent, sodium, fluorescent,
infrared, and other man‑made lights. An axiom in CCTV security
applications is: The better the light, the better the picture. Figure 1. Cameras respond the amount of light
reflected from the scene Color vs. Black
& White Color cameras
generally require a higher level of lighting than their monochrome
{black & whited counterparts. Color produces a more natural, richer image
than black & white and may keep the operators' interest for longer periods
of time. It also makes it easier to detect subjects. For example, with a color
system a viewer can easily distinguish a red car from a green one, while on a
black & white system both cars would appear a similar shade of gray. In
retail applications, a color system can help security personnel identify
shoplifters and their clothing more easily and convincingly. Color accuracy is
extremely important in gambling casinos, where hundreds of dollars can ride on
the ability to recognize the difference between a maroon chip and a red one. (
wearing ) red?? .
While the use of color cameras is growing,
black & white cameras continue to offer some distinct advantages. Black
& white cameras are better suited for extremely low light situations. The ability to capture good quality images in
low light situations increases the cost of both black & white and color
cameras. Before purchasing cameras, organizations should consider the
crossover point between lighting costs and camera costs. It's possible that
low‑light cameras (which are expensive) will cost less than paying to
increase the lighting in a parking lot. The Camera Cameras convert the visible scene captured by a lens into
an electric signal and transmit that signal to a monitor for
viewing Several considerations should be taken into
account when choosing the proper camera/lens for any video system: The purpose of the video system (detection,
assessment, identification, ect.)..)..)..). · The overall sensitivity of the camera
needed based upon the actual application. · The amount and varying levels of light
available at the scene. The environment in which the camera will
operate (indoors/outdoors). · The f The lens · Cost. of view (((FOV))) required by the application
(see figure 3). Monitor ~ F.O.V. Figure 3. Field of view. Camera performance depends largely upon the
reflected light at the scene and the quality of the cameras imager (see figure
4). Where the level of available light can change
dramatically, a camera equipped with automatic iris control can help assure
consistent image quality. Automatic iris control enables cameras to open or
close an auto iris lens to adjust the amount of light passing through the
lens. On a bright, sunny day, for example, an auto iris camera will close the
lens' iris to prevent strong light from reaching the camera's imager. At
night, the camera will open the iris to allow a greater amount of light into
the camera. Cameras are available in various
"formats" expressed as' 1/2,, 1/3, or /4 inches. These measurements
represent the overall usable size of the camera's imager. In general, you
should match the camera's format to the lens format. For example, a
half‑inch camera should be paired with a half‑inch lens.
Today, thanks to design improvements, high
quality images are possible with smaller formats. Figure 4. The imager (or chip ). Fixed and PTZ
Cameras CCTV cameras can be fixed or have pan, tilt
and zoom ((PTZ)) capability. Fixed cameras are mounted on a fixed bracket and
cannot move in response to operator commands. PTZ cameras are motor driven and
can pan left and right, tilt up and down and zoom in and out for
close‑up or wide‑angle viewing. (See figure 5) Pan Tilt Scan Figure 5. PTZ camera. A cameras housing protects the camera and lens
from vandalism and the environment. It also can enhance the appearance of the
camera installation and conceal the equipment from casual observation. All
outdoor cameras require a housing of some type. The National Electrical
Manufacturers Association (((NEMA))) rates housings on their ability to
withstand environmental conditions. Protection from cold, heat, dust, dirt or
other elements is needed to ensure optimum performance and extend the life of
the camera. Dome Cameras Many PTZ cameras today are disguised in dark
colored Plexiglas housings called domes. Dome cameras are found practically
every major department store and in many industrial/commercial locations,
hospital, colleges and government facilities (See figure 6). They are
particularly popular wherever aesthetics are valued.
Dome cameras provide
three primary benefits: 1. DETERRENCE ‑ Domes make it virtually impossible for suspects to
determine where the camera is pointed. individuals planning to commit criminal
activity are unable to detect whether or not they are under active
surveillance. 2. ECONOMY ‑ Domes equipped with a camera, lens, and pan/tilt unit
can be augmented with "drones" that have the same outward
appearance, but have no equipment inside. The result is more apparent camera
coverage with a much lower system expense. 3. AESTHETIC APPEARANCE ‑ An exposed camera, lens, pan/tilt unit
and associated wires are unsightly. A dome makes the collection of equipment
more aesthetically acceptable, and does not detract from the interior design
of a retail or business office environment. Placing a mirrored finished or smoked bubble
around the dome con conceal a dome camera further. However, when this is done, the bubble has the effect of sunglasses,
reducing the amount of light reaching the lens and affecting the color
accuracy picked up by the camera. (Indoor.
ceiling mount)
Optional
plexiglass
bubble (Outdoor
mount with clear bubble) Figure 6. Dome cameras. The Lens Lenses (Optics} play an important role in the
design of a CCTV system. Their primary function is to collect reflected light
from a scene and focus a clear, sharp image on the camera's imager. Typically,
the more light that passes through a lens, the better the quality of the
picture. Selection of a lens is especially critical
because it directly affects the size, shape, and sharpness of the image to be
displayed on the imager. Factors such as distance from the scene, focal
length, desired field of view, lighting and format affect the size and clarity
of the image on the camera's imager. Field of View The field of view ((FOV)) is the actual
picture size (height and width) produced by a specific lens. field of view is
not suitable, you may consider using a different lens (wide angle, telephoto,
etc.) to increase or decrease the field of view. Tables are available to
calculate the proper imager size, lens and distance combination needed to
produce a desired field of view. See page 92 of this catalog.
Camera lenses can be divided into two basic
types: fixed focal and varifocal (or zoom). A fixed focal lens has a constant
focal length, while a varifocal lens can change its focal length. Focal length
is simply the distance from the optical center of the lens to a focal point near
the back of the lens. This distance is written on the lens (in millimeters) and
indicates the field of view produced by the lens (See figure 7) Focal Point
Focal Length (f) Optical Center Light Figure 7. Focal length. Fixed focal length lenses are available in
various wide, medium, and narrow fields of view. A lens with a
"normal" focal length (EX: 8.0mm on a 1/3" camera) produces a
picture that approximates the field of view produced by the human eye. A
wide‑angle lens has a short focal length, while a telephoto lens has a
long focal length (See figure 8). When you select a fixed lens for a particular
field of view, bear in mind that if you want to change the field of view, you
must change the lens. Shorter
focal length = wide angle A Longer
focal length = telephoto Figure 8. Wide angle vs. telephoto. When both wide scenes and close‑up views
are needed, a varifocal or zoom lens is best. A zoom lens is an assembly of lens
elements that move to change the focal length from a wide angle to telephoto
while maintaining focus on the camera's imager. This permits you to change the
field of view between narrow, medium, and wide angles, all on one lens. F‑Stop The ability of a lens to gather light depends
on the relationship between the lens opening (aperture) and the focal length.
This relationship is symbolized by the letter f, which is commonly referred to
as the "F‑stop," and can be found printed on the side or front
of the lens (see figure 9). The lower the
F‑stop number, the larger the maximum lens aperture and the greater the
lens' ability to pass light through to the camera's imager
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